Harpenden Evening Web Page
 

Programme of Lectures 2021-2022


AUTUMN 2021 PROGRAMME

20th October 2021
Lecturer: Barry Venning


…With a little help from their friends: The Beatles and their Artists
This is a journey through the 60s in music and images, following the Beatles from the Hamburg Reeperbahn in 1960 to Abbey Road in 1969. The band was always fascinated by the visual arts - the ‘fifth Beatle’, Stuart Sutcliffe, was a prodigiously talented painter - and they also learned very early on that artists and designers could help promote their image and their music. Their rise to global fame was aided and recorded by an impressive roster of photographers, including Astrid Kirchherr, Bob Freeman, Robert Whitaker, Angus McBean and Linda McCartney. The innovative covers for releases such as Rubber Soul (Bob Freeman) Revolver (Klaus Voormann), the White Album (Richard Hamilton) and Sgt. Pepper (Peter Blake & Jann Haworth) turned album design into an art form in its own right.

Barry Venning

Barry is an historian of British art with a particular interest in the work of JMW Turner, on whom he has published widely, including the volume on Turner in Phaidon's Art & Ideas series, and several catalogue essays for exhibitions in the UK, Germany, Italy and Poland. He was the BBC's script consultant on Turner's Fighting Temeraire and has recently taken part (2013) in a BBC documentary called The Genius of Turner: Painting the Industrial Revolution. He has also published a study of John Constable's paintings. His interests and his teaching extend from medieval architecture to contemporary British art. He is currently Associate Lecturer with the Open University and lecturing on a freelance basis for The Arts Society, Christie's Education and other organisations.

17th November 2021
Lecturer: 
Chantal Brotherton-Ratcliffe

“First Catch A Squirrel…….Historical Materials and Techniques of Painting in the 15th - 18th Century”
 The 14th century artist Cennino Cennini recommended using “the chicken bones that you will find under the dining table” for making charcoaled bone black to paint with. His treatise, The Artists’ handbook, gives us an understanding of some of the surprising materials which any artist had to master before he could begin to paint, such as the tail of a squirrel to make his paintbrushes. But many of these materials were difficult to use and had an effect on the finished look of paintings from the centuries before industrial processes changed the artist’s world. This lecture will explain the techniques and the reasons for some of the features of 15th and 16th century paintings which may seem odd to our modern eyes. Chantal will bring examples of the materials mentioned in the talk to pass round and discuss with participants.

Chantal Brotherton-Ratcliffe

Chantal received an MA in History of Art from Edinburgh, and a PhD from the Warburg Institute, London University. With 40 years' experience as a lecturer, Chantal has taught at Sotheby's Institute of Art on the MA degree course in Fine and Decorative Arts since 1989, and as a freelance lecturer for a number of societies in London, Italy and America. Having also trained as a paintings conservator, she brings an understanding of the making of the physical painting to her lectures and study sessions.

2022 PROGRAMME 

19th January 2022
Lecturer:
John C.Benjamin 

“The Georgian Jewel” A Window Opening onto a Forgotten World
Eighteenth century jewellery is largely misunderstood and is sadly neglected today.  In a world wholly focused on fabulous gems, jewellery which fetches millions at international auction and diamonds bought for investment rather than their innate beauty, there seems to be little time and even less interest in Regency shoe buckles, dainty Posy Rings and intimate lockets conveying messages of love.  John Benjamin’s talk examines the jewellery of what, in reality, was an innovative and fascinating period of jewellery design and explores many of the key themes, inspirations and gems used in this most elegant of eras – from the soft twinkling diamonds of Queen Anne to the sumptuous Parures typifying the stylish exuberance of William IV.

John C.Benjamin 

John was with Phillips Auctioneers for 23 years, latterly as International Director of Jewellery. Since 1999 he has been an independent Jewellery Consultant. He lectures, writes and broadcasts (including BBC Antiques Roadshow), and was admitted to Goldsmiths' Company in 2000. He is the author of Starting to collect Antique Jewellery, and co-author with Paul Atterbury of The Jewellery and Silver of H.G. Murphy.

16th February 2022 
Lecturer: Valerie Shrimplin 

‘Art and Astronomy’. Michelangelo, Copernicus and the Sistine Chapel: The Last Judgement Decoded.

Situated on the altar wall in the most important chapel in Christendom, Michelangelo’s monumental fresco of the Last Judgment (painted 1536-41) in the Sistine Chapel in Rome could easily lay claim to being one of the most significant paintings in the world. In its depiction of the end of the universe, the importance of the fresco was immediately recognised by contemporaries, becoming a focus for controversy as well as admiration. In an attempt to ‘decode’ the fresco and explain its hidden meaning, the Judao-Christian tradition of cosmological symbolism in art and architecture will be examined, and the influence of the astronomer Copernicus will be argued as a key underlying theme. Centred on the depiction of Christ as an Apollonian 'sun-god', the fresco appears to relate to Copernicus’s theory of the sun-centred universe (heliocentricity).

Valerie Shrimplin 

Valerie is currently Senior Research Associate at Gresham College London (previously Registrar and Secretary of the College). Having studied at the Universities of Bristol, Manchester and the Witwatersrand, she has lectured extensively on Byzantine, Medieval and Renaissance art and architecture and published widely on the influence of astronomy and cosmology on art, and wrote a PhD on the influence of Copernican heliocentricity on Michelangelo’s Sistine Last Judgment (the subject of our lecture). After her main career in education management, she now works freelance, in order to pursue her writing and research. She is Chair of the series of Conferences on the Inspiration of Astronomical Phenomena (www.insap.org) and the author of many publications
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16th March 2022
Lecturer: Jacky Klein

‘A Picture a Day’:  Peggy Guggenheim and the Birth of Mid-Century Modernism.
This is the story of how the socialite and muse Peggy Guggenheim became one of the greatest collectors in the history of modern art. Friends with the leading cultural figures of her day – including Cecil Beaton, Jean Cocteau, Barbara Hepworth, Scott Fitzgerald, Ian Fleming, Djuna Barnes and Igor Stravinsky – she was photographed by Man Ray and Andre Kertesz, took advice from Marcel Duchamp and married – among others – the artist Max Ernst. She moved with ease between the social elites of New York and the bohemia of Paris. This talk asks why it was that – seemingly out of the blue – Guggenheim started collecting contemporary art in the 1930s. What impact did her subsequent galleries in London and New York have on artists and the wider art world? How and why did her name become inextricably linked with the city of Venice? And how did a New York heiress play such a pivotal role in the making of mid-century Modernism? 

Jacky Klein

Jacky is an art historian, publisher, writer and broadcaster, specialising in modern and contemporary art. After studying at Oxford University and the Courtauld Institute of Art in London, she worked as a curator at a number of leading galleries: Tate, the Barbican, the Courtauld and the Hayward. In 2008, she moved into the world of art publishing, working at Thames & Hudson, Tate Publishing and subsequently as Director of HENI Publishing, a small independent arts publisher. She is the author herself of a bestselling book on British artist Grayson Perry (Thames & Hudson, 3rd edition 2020) and co-author of a number of other titles. She broadcasts and lectures widely, for major broadcasters, art institutions and museums. A public and passionate advocate for the arts, she is a Trustee of the UK Association for Art History, and is Associate Lecturer at the Courtauld Institute on their Masters programme, 'Curating the Art Museum'.

20th April 2022
Lecturer: Cynthia Sparke 

‘The Chicken and the Egg’ Fabergé: Objects Of Desire:
A Look At The Enduring Appeal Of The House Of Fabergé, The Business Visionary At Its Helm And The Imperial Patronage That Ensured Its Prestige

Exactly how did a modest jewellery concern with an extremely un-Russian sounding name become an enduring symbol of Romanov luxury?  This talk takes us beyond the legendary Easter eggs to consider the design sources, materials and techniques that distinguished the legendary Russian firm from its contemporaries. We look in particular at Faberge gifts that were selected to convey romantic ties, filial devotion, diplomatic esteem, and even loyalty from a beloved pet. 

Cynthia Sparke 

Cynthia is an independent researcher, author and lecturer on Russian Pre-Revolutionary works of art, consulting regularly on Fabergé for auction houses. Having periodically grown up on and off in Moscow within a family of Russian art collectors, she was destined for a career in Russian art. Previously, she ran the Russian Department for Christie’s in New York and worked for Hillwood Estate, Museum and Gardens in Washington DC. This was followed by a restoration project at the Alexander Palace in Tsarskoe Selo, Nicholas II’s last residence. Her book Russian Decorative Arts was published in 2014 by the Antique Collectors’ Club. Cynthia now lives permanently in London. 

18th May 2022  
Lecturer: Harry Venning
 

The Art of the Cartoonist
In 'The Art Of The Cartoonist' Harry will be tracing the history of his profession with examples from early practitioners like Cruickshank and Hogarth, to more contemporary artists such as Giles and Schulz, bringing events right up to date with cartoons produced fresh on the page that day! Yes, Harry will be drawing live. Prepare to hear some tricks of his trade, learn where to put eyebrows for maximum effect and discover exactly what the eskimo brothers said in The Funniest Joke Ever (possibly).

Harry Venning 

Harry has been a professional cartoonist for thirty years, during which time he has provided cartoons for several high profile UK publications (The Guardian, Radio Times) as well as for countless more obscure titles (British Journal Of Wound Care). He was awarded UK Strip Cartoonist of The Year for his Guardian strip Clare In The Community, which he adapted into a Radio 4 sitcom.

15th June 2022 
Lecturer: Sarah Burles 


Kettle’s Yard: A Masterpiece of Curatorship
Kettle’s Yard in Cambridge has been described as “one of the country’s most intimate and spellbinding museums, the collection of one man and his unerring eye; restorative, homely yet life-changing”. This man was H.S. ‘Jim’ Ede, curator, writer, collector and friend to artists. In1957, he opened his Cambridge home to university students as “a living place where works of art could be enjoyed… unhampered by the greater austerity of the museum or public art gallery.” His collection included works by Ben and Winifred Nicholson, Christopher Wood, Alfred Wallis and Henri Gaudier-Brzeska which were carefully placed alongside pieces of furniture, ceramics and natural objects. His curated home remains by and large as he left it, characterised by its unique atmosphere, fascinating juxtapositions and personal connections. This lecture will discuss the life of Jim Ede, his collecting, his vision for Kettles Yard and its enduring legacy.

Sarah Burles 

Sarah studied History of Art at Cambridge University before doing a master’s degree at University College London. She went on to have a career in museum and gallery education, establishing new services in three different museums before working at the Fitzwilliam Museum for many years.   Sarah is the founder of Cambridge Art Tours, which runs tours and courses in and around East Anglia. She is also a Tour Director for a travel company and has led tours to Italy, France, Germany, Belgium and America. At the start of the coronavirus pandemic, Sarah moved her work online, offering art history courses to audiences all over the world. 

20th July  2022
Lecturer: Tessa Boase

The Housekeepers Tale: The Women Who Really Ran the English Country House
As the most senior of upper servants, the housekeeper typically carried a family’s secrets with her to the grave. She ran the English country house, controlled its female servants and conserved its many treasures – and yet she has not been remembered history. Using old letters, secret diaries and neglected archives, Tessa has resurrected a series of fascinating stories from 19th and 20th century domestic service, at some of our most prominent households. The lecture sets this role in its historic context, looks at some of the individual stories uncovered, then focuses more deeply on an individual housekeeper’s tale.

Tessa Boase

Tessa is a freelance lecturer for The Arts Society along with other organisations such as the V&A, English Heritage and the National Trust. She’s the author of two books of social history: The Housekeeper’s Tale – The Women Who Really Ran the English Country House, and Mrs Pankhurst’s Purple Feather – Fashion, Fury and Feminism, Women’s Fight for Change. Her interest lies in uncovering stories of invisible women of the Victorian and Edwardian eras, revealing how they drove industry, propped up high society and manipulated politics. Tessa has an MA in English Literature from Oxford University, a diploma in Art History from the British Institute of Florence, and has enjoyed a long career in journalism for national newspapers and magazines. 

21st September 2022
Lecturer: Richard Burnip
 

The Flashman Stories and the Film Screenplays of George Macdonald Fraser How the author deployed his impeccable sense of history and feel for character in print and on screen.
Best known for his Flashman series of novels, George MacDonald Fraser possessed a remarkable ear for the voices of the past, and a huge knowledge of, and affection for, popular literature and cinema. From his comic stories of military life based on his own experiences in the Gordon Highlanders, to his nimble and vivid scripts for the 1970s Three Musketeers films, this lecture looks at the way in which Fraser dovetailed fiction with history in his novels and brought a unique perspective to his film work.

Richard Burnip

Richard took a BA Hons in English Language and Literature from the University of Manchester, followed by an acting diploma at the Birmingham School of Speech and Drama. He combines acting, writing and lecturing. He has lectured in many venues including the National Army Museum and the Museum of London, and is currently presenting a variety of virtual lectures online. Richard has contributed to, among others, The Journal of Popular Film and Television, The Sherlock Holmes Journal, and the P G Wodehouse journal Wooster Sauce. A specialist in voice work, he has narrated numerous documentaries and 150 audiobooks.

19th October (TBC) 2022
Lecturer: Rupert Dickens


Norman Rockwell and the Heyday Of the Illustrator 
Norman Rockwell’s folksy images of middle America were dismissed for decades by art critics as over-sentimental and banal.  But his reputation has soared in recent years as a new generation comes to appreciate his humanity and inventiveness and he is revered by film directors George Lucas and Steven Spielberg for his brilliant storytelling. At their best, his paintings reconcile midwestern values with progressive ideals and artistic traditionalism with optimism about the modern world.  This lecture traces the roots of Rockwell’s art through his immediate predecessor and idol J.C. Leyendecker, back to the 19th century work of Winslow Homer and Howard Pyle.    

Rupert Dickens

Rupert Dickens is an art historian based in south London with a special interest in Dutch and Flemish 16th and 17th century painting. He works at the Wallace Collection as a guide conducting public and private tours and lecturing on aspects of the collection. Rupert is also a tour director for a Cambridge-based company accompanying groups on art-themed tours to the Netherlands, Belgium, France, Austria and Italy. He has lectured to large audiences on subjects as diverse as the game of chess in art and Madame de Pompadour’s artistic patronage in 18th century France. He studied art history at Birkbeck College before undertaking a Masters in Dutch Golden Age Studies at University College London. Before that Rupert had a 26-year career as a BBC journalist and finally as an editor in radio news.

16th November 2022  
Lecturer: Anna Warrillow 


History Of The City Of London As Told Through Its Stained Glass
The history of the City of London is a long and illustrious one, from Medieval plague to the Great Fire of London to the Blitz of the Second World War, we encounter stories as well as known personalities such as Dick Whittington, Geoffrey Chaucer and William Shakespeare. The churches, Halls and civic buildings of the City house some of the most interesting stained-glass windows, each of which tells its own part of London’s story. Many of them have withstood the ravages of the Second World War and can chart their history back to the early foundations of the City. We shall be tracing the story of the City of London through its glass windows. Enjoy a fascinating journey through the streets of London to discover its hidden gems and learn about some of the best 19th, 20th and contemporary stained-glass windows in London.

Anna Warrillow 

Anna graduated as a Blue Badge Guide early in 2013 and won an award for the best new guide at Westminster Abbey. Since then she has been conducting bespoke private tours for discerning visitors to London. She established her own guiding company Canvas and Stone Tours in 2018 (www.canvasandstonetours.co.uk). Her background and passion is Art & History. She studied for my BA in History of Art & Italian at the University of Sussex and did her MA in Renaissance Decorative Arts & Design at the Royal College of Art.  She worked for 6 years as a curator in the Sculpture Department at the Victoria & Albert Museum as well as in smaller collections such as the Henry Moore Family Trust. As well as guiding she is an adjunct lecturer at Richmond The American International University in London where she teaches undergraduates The History of London.  She lectures regularly for art, history and academic societies as well as providing training courses and Continual Professional Development courses for students and guide members of the Institute of Tourist Guides.